New NEW ending

Okay, so I showed the new ending around some, and I got pretty much the same response. Why was the box suddenly so heavy? Why was Rossini struggling so much. So I changed it up some more.

This way, he pushes the box away, AND manages to walk of screen in disgust with the Director and his insults. He gains speed as he walks off, just to doubly make sure the audience know it's the same, not too heavy, box.

I've managed to get as far a reasonably tight linear pass. Just gotta keep chipping away at it. I plan on starting the final facial work tomorrow too.